Ģ����ý

The which, over the past few months, has been posting really interesting works of and info about and more, has just released its first entitled “Tongue Ties”:

This first quarterly issue of the Buenos Aires Review boasts new literary works from a variety of tongues—French, Galician, German, Portuguese, Russian, and a touch of Hungarian accompany the Spanish and English of always—and locales ranging from Rio de Janeiro, México, London, Paris, A Coruña, and São Paulo, to Moscow, Los Angeles, Costa Rica, Mar del Plata and New York.

Fiction. We unravel the mystery of Bola Negra, the shapeshifting piece by that led to a film and an opera, tap the spirit(s) of Mad Men with and winter with on the Argentine coast, while gets tangled up with hitmen and supermodels in Colombia and — France’s latest enfant terrible — takes on literary glam & doom.

Poetry. We cut a path through sensual urban pastorals and lyric maps to wrangle paleocreatures and rappel from the precipices of eyes.

Time Regained. We revisit the sublime and fantastic world of (1863-1915) through the translations of Mariana Dimópulos and Joel Morris.

Conversations: on Conceptualisms. We listen in as Latin America’s first and foremost conceptual artist sits down with Reinaldo Laddaga, Ubuweb founder and Uncreative Writer binds past and present with Michael Romano, and American poet David Shook talks poetry drones with Pola Oloixarac.

Art. We join in the factory that became Costa Rica’s best museum.

Bookstores we ❤. We visit indie bookstores in and with Marfa Nekrasova and Julián Fuks.

Translator’s Note. Fulbright scholar takes a heady swig of Hungarian and Yiddish.

Besos!
The editors

Definitely worth checking out.