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Tom and I answered a bunch of questions for Gabrielle Gantz and the I think this makes for a fun and interesting read, and it actually became the basis for a good part of our discussion on this week’s podcast (which will be up tomorrow).

Here’s an excerpt:

What do you look for when deciding what translated work to read next?

Chad: There are so many things that go into a decision like this. Sometimes it’s the buzz around a book,¹ sometimes it’s the author (I’m currently on a Clarice Lispector kick), sometimes the translator (Bill Johnston is a translation jesus!), and sometimes it’s something totally other (Satantango has a gorgeous cover, The Safety Net is about terrorism).

Tom: I don’t necessarily look to specifically read a translation or a non-translation. I look for good books. When I do find myself choosing from among the vast array of choices, I usually gravitate to plot first, style second. Country and translator are important eventually, but first, for me at least, it has to be something I’ll enjoy reading. There was a time when I read the “difficult” books for my own edification, but I’ve since realized that there are things to be learned about human nature in a wide array of books, not just difficult ones that academics deem worthy.

Do you find that you gravitate towards a certain country because of your interest in the culture?

Chad: I read a lot of Mexican and South American books because I particularly like the aesthetic sensibility prevalent in a lot of works from down there. The aforementioned Cortazar and Lispector, but also Borges, Bioy Casares, Chejfec, Zambra, Saer, Sada, etc., etc.

Tom: In the end, I read a lot of French translations. I like their philosophers and their novelists’ tendency to draw on those philosophies. And I’m a huge French film fan, so the overall outlook on art I’m very familiar with and love. But I also read a lot of stuff from Spain and Latin America — they too seem to zero in on themes I’m drawn to.

Click to read the full interview.

¹ I actually included the example that this is why I read “the very mediocre 1Q84,” but that didn’t make the final cut. But since this book IS so very overrated, I thought I’d make a point of mentioning that in the safety of my own blog.