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U of R’s own reviewed a of Cavafy in the Times this weekend:

“A Greek gentleman in a straw hat, standing absolutely motionless at a slight angle to the universe.” With this sentence the novelist E. M. Forster introduced the Alexandrian Greek poet Constantine Cavafy to the English-speaking world in 1919. Since then, Cavafy’s distinctive tone — wistfully elegiac but resolutely dry-eyed — has captivated English-language poets from W. H. Auden to James Merrill to Louise Glück. Auden maintained that Cavafy’s tone seems always to “survive translation,” and Daniel Mendelsohn’s new translations render that tone more pointedly than ever before. Together with “The Unfinished Poems” (the first English translation of poems Cavafy was still drafting when he died in 1933), this “Collected Poems” not only brings us closer to one of the great poets of the 20th century; it also reinvigorates our relationship to the English language.