  {"id":306262,"date":"2018-03-20T11:12:30","date_gmt":"2018-03-20T15:12:30","guid":{"rendered":"http:\/\/www.rochester.edu\/newscenter\/?p=306262"},"modified":"2019-07-23T09:49:54","modified_gmt":"2019-07-23T13:49:54","slug":"michelangelo-lived-large-and-loved-to-laugh-306262","status":"publish","type":"post","link":"https:\/\/www.rochester.edu\/newscenter\/michelangelo-lived-large-and-loved-to-laugh-306262\/","title":{"rendered":"Michelangelo lived large\u2014and \u2018loved to laugh\u2019"},"content":{"rendered":"<p>In his lifetime, artist Michelangelo was popularly known as \u201cIl Divino\u201d\u2014\u201cThe Divine One.\u201d The immensity of his talent seemed to put him beyond human categories.<\/p>\n<p>But renowned Michelangelo expert William Wallace has spent his career trying to dispel that idea, helping readers to find the familiar in an extraordinary artist\u2019s day-to-day life.<\/p>\n<div class=\"side-right\">\n<h2>William Wallace on Michelangelo<\/h2>\n<p>Art historian William Wallace will deliver the keynote address for this year\u2019s <a href=\"http:\/\/www.sas.rochester.edu\/humanities\/events\/2018\/03\/ferrari-humanities-symposia.html\">Ferrari Humanities Symposia<\/a> on March 26 at 5 p.m. in the Hawkins-Carlson Room of Rush Rhees Library, on the Ä¢¹½´«Ã½\u2019s River Campus. His talk, about the artist\u2019s late years, is titled \u201cMichelangelo, God\u2019s Architect.\u201d The event is free and open to the public.<\/p>\n<p>On March 27, he\u2019ll take part in a conversation at the Memorial Art Gallery with Jonathan Binstock, the Mary W. and Donald R. Clark Director of the MAG. \u201cMichelangelo: Believe It or Not\u201d will discuss the works that people have attributed to the artist and what these attributions reveal about their own eras. This event is free and open to the public; RSVP by calling 585-275-7393.<\/p>\n<\/div>\n<p>Wallace is this year\u2019s Ferrari Humanities Symposia keynote speaker. The Barbara Murphy Bryant Distinguished Professor of Art History at Washington University in St. Louis, he is the author and editor of seven books on Michelangelo, including <em>San Lorenzo: The Genius as Entrepreneur<\/em> (Cambridge University Press, 1994) and <em>Discovering Michelangelo: The Art Lover\u2019s Guide to Understanding Michelangelo\u2019s Masterpieces<\/em> (Rizzoli International Publications, 2012).<\/p>\n<p>He\u2019s been aided in his quest by the exceptional written record Michelangelo left.<\/p>\n<p>\u201cWe know more about Michelangelo than probably any artist before the 18th or 19th century,\u201d says Wallace. \u201cWhereas Leonardo da Vinci wrote a lot in his notebooks, they\u2019re primarily his own jottings and notes and sketches.\u201d<\/p>\n<p>But Michelangelo scholars have some 1,400 letters to consult, hundreds of them Michelangelo\u2019s own. In his book <em>Michelangelo: The Artist, the Man and His Times<\/em> (Cambridge University Press, 2010), Wallace makes use of the 900 letters to the artist that have never been published in English.<\/p>\n<p>\u201cYou get an incredibly richer view of the artist when you see the world that he operated in,\u201d says Wallace. \u201cHe lived almost 90 years, and his letters are a cross-section of the 16th century.\u201d<\/p>\n<p>And because Michelangelo, unlike da Vinci, frequently worked in official capacities, he was enmeshed in the Italian Renaissance\u2019s bureaucracy. \u201cAnd bureaucracies keep records,\u201d Wallace says.<\/p>\n<p>The most widely known depiction of Michelangelo is Irving Stone\u2019s 1961 novel, <em>The Agony and the Ecstasy<\/em>, which became an Oscar-nominated movie starring Charlton Heston in 1965. Stone\u2019s treatment contrasts the ecstasy of Michelangelo\u2019s artistic creation with the agony of a purportedly isolated life.<\/p>\n<p>\u201cI\u2019ve worked very hard in my life to prove just the opposite,\u201d says Wallace. \u201cYes, there were many times when Michelangelo fought with his family, and he had trouble with some of his workers. But it turns out that he was an enormously successful businessman. He was very loyal to his family\u2014and saddened that he outlived every single member of his immediate family because he lived twice as long as most people did in the Renaissance.\u201d<\/p>\n<p>He made the most of his additional years by creating what was essentially a new career, turning to architecture in his 70s and 80s at the behest of Pope Paul III. Building St. Peter\u2019s Basilica and six other major architectural projects brought Michelangelo into close collaboration with many others.<\/p>\n<p>The results were profound: \u201cHe was helping to transform Rome into the city we know today,\u201d says Wallace. The subject of his latest research is Michelangelo\u2019s work in his final decades.<\/p>\n<p><a href=\"https:\/\/www.rochester.edu\/newscenter\/five-things-you-might-not-know-about-michelangelo-306342\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-306392\" src=\"https:\/\/www.rochester.edu\/newscenter\/wp-content\/uploads\/2018\/03\/polaroid-michelangelo.png\" alt=\"portrait of Michelangelo with his signature\" width=\"250\" height=\"286\" \/><\/a><\/p>\n<h3 style=\"margin-top: 140px;\"><a href=\"https:\/\/www.rochester.edu\/newscenter\/five-things-you-might-not-know-about-michelangelo-306342\/\">Five things you didn\u2019t know about Michelangelo<\/a><\/h3>\n<p>He lived twice as long as other people of his day, and he \u2018kind of knew everybody.\u2019<\/p>\n<p><br clear=\"all\" \/>While other artists, like Beethoven, are known for distinct early- and late-career styles, Wallace says that\u2019s not the case with Michelangelo. \u201cIt\u2019s not so much his artistic style that changes\u2014it\u2019s the kind of projects that he wants to undertake and carry out. His early career is fundamentally concentrated on heroic, large single-figure works that make his reputation: the Piet\u00e0, the David, the Sistine Chapel ceiling. These are the things that astonished the world and that he could claim he made entirely by himself. But his late career has very little of that. Instead, he devotes himself to these huge architectural projects that he knows he\u2019s never going to live to finish.\u201d<\/p>\n<p>He managed hundreds who worked under him with efficiency and expertise, and he relied on others who\u2019d long been loyal and close to him.<\/p>\n<p>\u201cContrary to our received wisdom, Michelangelo never lived alone and always was working with people in collaboration. And this become ever-more true the longer he lived,\u201d says Wallace. \u201cLater in life, and certainly at St. Peter\u2019s, he was working with a very large coterie of low-level workers\u2014but also people he trusted to carry out his ideas and translate them into action.\u201d<\/p>\n<p>Wallace offers one other glimpse of the artist that may do even more to humanize him: Michelangelo loved a good joke.<\/p>\n<p>\u201cYou never think of Michelangelo laughing. But he had a wonderful sense of humor,\u201d he says. \u201cHe liked to laugh. Records show him becoming friendly with a large number of people largely because he just liked to hang out with them.\u201d<\/p>\n<hr \/>\n<h3><strong>Ä¢¹½´«Ã½ the Ferrari Humanities Symposia<\/strong><\/h3>\n<p>University Trustee Bernard Ferrari \u201970, \u201974 (MD) and his wife, Linda Gaddis Ferrari, established the <a href=\"http:\/\/www.sas.rochester.edu\/humanities\/programs\/ferrari-symposia\/index.html\">symposia<\/a> to broaden the liberal education of Rochester\u2019s undergraduates, enhance the experience of graduate students, and expand faculty connections with scholars around the world. The series was established in 2012, and has hosted speakers including Anthony Grafton, Stephen Greenblatt, and Jane Tylus.<a href=\"http:\/\/www.sas.rochester.edu\/humanities\/events\/2018\/03\/ferrari-humanities-symposia.html\"> A full schedule for this year\u2019s symposia is available here.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Renowned Michelangelo expert and this year&#8217;s Ferrari Humanities Symposia keynote speaker William Wallace has spent his career helping readers to find the familiar in the extraordinary artist\u2019s day-to-day life.<\/p>\n","protected":false},"author":752,"featured_media":306382,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[456],"tags":[14,4626,5656],"class_list":["post-306262","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-society-culture","tag-events","tag-featured-post","tag-ferrari-humanities-symposia"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Michelangelo lived large\u2014and \u2018loved to laugh\u2019<\/title>\n<meta name=\"description\" content=\"Renowned Michelangelo expert William Wallace has spent his career helping readers to find the familiar in the extraordinary artist\u2019s day-to-day life.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.rochester.edu\/newscenter\/michelangelo-lived-large-and-loved-to-laugh-306262\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Michelangelo lived large\u2014and \u2018loved to laugh\u2019\" \/>\n<meta property=\"og:description\" content=\"Renowned Michelangelo expert William Wallace has spent his career helping readers to find the familiar in the extraordinary artist\u2019s day-to-day life.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.rochester.edu\/newscenter\/michelangelo-lived-large-and-loved-to-laugh-306262\/\" \/>\n<meta property=\"og:site_name\" content=\"News Center\" \/>\n<meta property=\"article:published_time\" content=\"2018-03-20T15:12:30+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-07-23T13:49:54+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.rochester.edu\/newscenter\/wp-content\/uploads\/2018\/03\/fea-michelangelo.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"600\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Kathleen McGarvey\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Kathleen McGarvey\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.rochester.edu\\\/newscenter\\\/michelangelo-lived-large-and-loved-to-laugh-306262\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.rochester.edu\\\/newscenter\\\/michelangelo-lived-large-and-loved-to-laugh-306262\\\/\"},\"author\":{\"name\":\"Kathleen McGarvey\",\"@id\":\"https:\\\/\\\/www.rochester.edu\\\/newscenter\\\/#\\\/schema\\\/person\\\/442b2a3bb25330f6067579b6ae13adbb\"},\"headline\":\"Michelangelo lived large\u2014and \u2018loved to laugh\u2019\",\"datePublished\":\"2018-03-20T15:12:30+00:00\",\"dateModified\":\"2019-07-23T13:49:54+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.rochester.edu\\\/newscenter\\\/michelangelo-lived-large-and-loved-to-laugh-306262\\\/\"},\"wordCount\":976,\"image\":{\"@id\":\"https:\\\/\\\/www.rochester.edu\\\/newscenter\\\/michelangelo-lived-large-and-loved-to-laugh-306262\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.rochester.edu\\\/newscenter\\\/wp-content\\\/uploads\\\/2018\\\/03\\\/fea-michelangelo.jpg\",\"keywords\":[\"events\",\"featured-post\",\"Ferrari Humanities Symposia\"],\"articleSection\":[\"Society &amp; 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