{"id":7732,"date":"2019-09-04T12:41:56","date_gmt":"2019-09-04T12:41:56","guid":{"rendered":"https:\/\/www.rochester.edu\/adv\/alumni-news-media\/?p=7732"},"modified":"2021-07-12T20:08:59","modified_gmt":"2021-07-12T20:08:59","slug":"tuning-in-to-sonic-culture","status":"publish","type":"post","link":"https:\/\/www.rochester.edu\/adv\/alumni-news-media\/2019\/09\/04\/tuning-in-to-sonic-culture\/","title":{"rendered":"Tuning in to Sonic Culture"},"content":{"rendered":"

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Tuning in to Sonic Culture<\/h1>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”150px” image_repeat=”no-repeat”][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_color=”#7eb1dc” css_animation=”” box_shadow_on_row=”no”][vc_column][vc_row_inner row_type=”row” type=”grid” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=”” box_shadow_on_row=”no”][vc_column_inner][vc_empty_space height=”15px” image_repeat=”no-repeat”][vc_column_text]<\/p>\n

Take out your earbuds and just listen.
\nThe world may \u201clook\u201d different, says musicologist Gabrielle Cornish \u201913, \u201916E (MA).<\/h3>\n

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\"\"

(Illustration: David Cowles for Rochester Review)<\/p><\/div>\n

I studied music and Russian studies at Rochester as an undergrad and then did a Fulbright year in Russia. When I came back to Eastman for the PhD program in musicology, I didn\u2019t even know there was a field called sound studies. <\/strong>I had never heard of that. Fortunately, in our first-year graduate student seminar, our professor, Lisa Jakelski, took us through things like gender and music, sexuality and music, race in music\u2014and we had a day on sound studies.<\/p>\n

I had just come back from a year in Siberia, and I remember walking around my hometown and having to stop because I heard the sound of crickets. <\/strong>I hadn\u2019t heard that the entire time I was in Siberia. The period of absence really reinforced that sound and made it quite loud, so to speak. So as we were going through the literature on sound studies, all I could think was how sound could place me not only physically but also temporally.<\/p>\n

We become conditioned to different listening contexts, and they become part of who we are and how we ground ourselves in a moment in space. <\/strong>When I teach sound studies, I challenge students to go about their business without listening to music and just to listen. What things do they hear? Walking down the street, do they hear construction? How do they know when to cross the street? Is it just by looking at the light that tells you to walk, or is it also from hearing the sound of beeping? Likewise, technologies like Facebook and iPhones use specific sounds for messages and texts. That\u2019s very much a conscious decision on the part of the companies to brand their sonic identity.<\/p>\n

Music and sound can tell us a very different story about moments in history than looking at the material or the visual can. I\u2019m researching sonic culture in the Soviet Union, and narratives have really coalesced around material and visual culture.<\/strong> Americans are familiar with the Kitchen Debate\u2014that iconic image of Richard Nixon and Nikita Khrushchev debating the merits of capitalism versus communism while standing outside a model kitchen with fancy American appliances. Who\u2019s got the bigger kitchen, who\u2019s got the nicer appliances?\u00a0<\/strong>[\/vc_column_text][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=”” box_shadow_on_row=”no”][vc_column_inner width=”1\/6″][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_empty_space height=”25px” image_repeat=”no-repeat”][vc_column_text]<\/p>\n

“We become conditioned to different listening contexts, and they become part of who we are and how we ground ourselves in a moment in space.”<\/h3>\n

[\/vc_column_text][vc_empty_space height=”25px” image_repeat=”no-repeat”][\/vc_column_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][\/vc_row_inner][vc_column_text]Looking at the sonic side of things, if you look at what Soviet citizens are writing and saying about improved appliances like televisions, radios, and record players, you start to see a narrative about a brand-new listening etiquette.<\/strong> People were saying, \u201cWe\u2019re glad for the material reforms, but how do we actually be respectful, sonically?\u201d What they often argued was that the Soviet Union was supposed to have a commitment to the health and welfare of the masses that capitalist countries did not. New York was a very popular foil, as \u201cthe city that never sleeps.\u201d That\u2019s not healthy. So the view was, how do we have progress but with an awareness of social impact.<\/p>\n

I don\u2019t think there\u2019s a single American sonic culture. But I absolutely do think there\u2019s a growing concern for noise abatement in the United States. <\/strong>A growing group of scientists, architects, musicologists, and just ordinary people are calling attention to it. There are things within our control, like the volume on iPods. But many things are out of our control. Restaurants and bars are becoming much louder. There are studies that show that the louder the music at a bar, the more people drink. So some businesses play music more loudly so that people will spend more money.<\/p>\n

I live near the [Rochester pub] Old Toad. If I want to have a meaningful conversation, it\u2019s where I\u2019ll go, more often than not.<\/strong> It\u2019s a good little pub. And it\u2019s quieter.[\/vc_column_text][vc_empty_space height=”25px” image_repeat=”no-repeat”][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=”” box_shadow_on_row=”no”][vc_column_inner][vc_column_text css=”.vc_custom_1567095935836{padding-top: 15px !important;padding-right: 15px !important;padding-bottom: 15px !important;padding-left: 15px !important;background-color: #e9e5d7 !important;}”]<\/p>\n

Gabrielle Cornish \u201913, \u201916E (MA)<\/h3>\n

PhD candidate (musicology) at the Eastman School of Music; Critical Language Scholar, summer 2012; Fulbright Scholar (Russia), 2013\u201314; author of \u201cThe Soundtrack to Space Exploration,\u201d in Slate <\/em>magazine, February 2019<\/p>\n

On the distinction between music and noise: <\/strong>\u201cAt its core, it\u2019s a value-based distinction. Music is good; it implies something that\u2019s organized. Noise is bad, noise is disorder, noise is chaos. In the 20th century, a lot of composers pushed against that. And I think about discourses that emerged in the 1980s and 1990s against rap and hip hop\u2014 \u2018that\u2019s just drums and noise\u2019\u2014that were rooted in racism in addition to aesthetic values. There\u2019s a hierarchy, and it\u2019s something to be aware of but also something to push against.\u201d<\/p>\n

On the sonics of the University: <\/strong>\u201cIf you\u2019re on the River Campus, the carillon in Rush Rhees Library is a really powerful sonic landmark. That sound places you physically at U of R.\u201d[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”25px” image_repeat=”no-repeat”][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”grid” text_align=”left” css_animation=”” box_shadow_on_row=”no”][vc_column][vc_column_text css=”.vc_custom_1567088080871{border-top-width: 1px !important;padding-top: 10px !important;border-top-color: #999999 !important;border-top-style: solid !important;}”]<\/p>\n

\u2014 Interview by Karen McCally \u201902 (PhD)<\/strong><\/span><\/p>\n

This article originally appeared in the summer 2019 issue of Rochester Review<\/em><\/a> magazine.[\/vc_column_text][vc_empty_space height=”25px” image_repeat=”no-repeat”][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

Take out your earbuds and just listen. The world may \u201clook\u201d different, says musicologist Gabrielle Cornish \u201913, \u201916E (MA). (Illustration: David Cowles for Rochester Review) I studied music and Russian studies at Rochester as an undergrad and then did a Fulbright year in Russia. When I came back to Eastman for the PhD program in musicology, I didn\u2019t even know there was a field called sound studies. I had never heard of that. Fortunately, in our first-year graduate student seminar, our professor, Lisa Jakelski, took us through things like gender and music, sexuality and music, race in music\u2014and we had a day on sound studies<\/p>\n","protected":false},"author":26,"featured_media":7762,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[142],"tags":[272,352,102,132],"class_list":["post-7732","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-stories","tag-alumni","tag-master-class","tag-music","tag-rochester-review"],"yoast_head":"\nTuning in to Sonic Culture - Alumni News<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.rochester.edu\/adv\/alumni-news-media\/2019\/09\/04\/tuning-in-to-sonic-culture\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tuning in to Sonic Culture - Alumni News\" \/>\n<meta property=\"og:description\" content=\"Take out your earbuds and just listen. 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The world may \u201clook\u201d different, says musicologist Gabrielle Cornish \u201913, \u201916E (MA). (Illustration: David Cowles for Rochester Review) I studied music and Russian studies at Rochester as an undergrad and then did a Fulbright year in Russia. When I came back to Eastman for the PhD program in musicology, I didn\u2019t even know there was a field called sound studies. I had never heard of that. 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