From here on out, multiple judges will be voting on each of the matches and the “score” will be an accumulation of these votes.<\/p>\n
Just to recap, Tatiana Lobo’s Assault on Paradise<\/em> (Costa Rica) made it to this point by beating Brazil’s Crow Blue<\/em><\/a> and Spain’s The Happy City.<\/em><\/a><\/p>\n Laura Restrepo’s Delirium<\/em> (Colombia) got here by getting past England’s Life After Life<\/em><\/a> and then Mexico’s Texas: The Great Theft<\/em>.<\/a><\/p>\n The winner of this game faces off against The Hottest Dishes of the Tartar Cuisine<\/em> (Germany) on Tuesday, July 7th. <\/p>\n On to the match! <\/p>\n Hilary Plum: Colombia<\/b><\/p>\n Delirium<\/em> is gripping and seamlessly made, even its seeming asides proving vital and resonant, and so it outmatches its worthy opponent, whose game is beautifully picaresque but thus less firmly organized. <\/p>\n P.T. Smith: Colombia<\/b><\/p>\n Delirium<\/em> wins, as books of madness usually do for me, and Natasha Wimmer proves her adeptness at translating unsettled reality.<\/p>\n Meredith Miller: Costa Rica<\/b><\/p>\n Again, I’m choosing Assault on Paradise<\/em> for the win. Both books involve a mystery surrounding the characters’ plights, and I am still blown away by the epic reach Lobo gives Pedro’s story. I found the revolving nature of Delirium<\/em>’s narrative beautifully hypnotizing, but it failed to create the same sense of urgency that is experienced reading Assault on Paradise.<\/em><\/p>\n Mythili Rao: Colombia<\/b><\/p>\n Delirium.<\/em> Because the 80s are more fascinating to me than the 1800s, and Agustina seems to be lost in more interesting ways than Pedro is. <\/p>\n Hal Hlavinka: Colombia<\/b><\/p>\n By turns light-footed, twisted, and toothy, Delirium<\/em> out paces the great Assault on Paradise<\/em> in this North v. South American quarterfinal faceoff!<\/p>\n Katrine Jensen: Colombia<\/b><\/p>\n I vote for Delirium<\/em> because it manages to combine a fast pace and punchiness with elegance and musicality on a sentence level, which is quite an accomplishment. Because of this, Delirium<\/em> seems more complete than Assault on Paradise<\/em>, which can be slow and confusing at times. Plus, Natasha Wimmer’s translation is simply masterful and difficult to compete with.<\/p>\n Rhea Lyons: Colombia<\/b><\/p>\n I personally just love the perspective in Delirium<\/em>, the voice, and it’s just more straight up entertaining. <\/p>\n There you have it—the first semifinal is set, with Germany’s Alina Bronsky set to go up against Colombia’s Laura Restrepo for a spot in the first ever Women’s World Cup of Literature championship!<\/p>\n For more information on the Women’s World Cup of Literature, click here<\/a> or here.<\/a> Also, be sure to follow our Twitter account<\/a> and like our Facebook page.<\/a><\/p>\n And check back tomorrow for the second quarterfinal featuring Burial Rites<\/em> (Australia) up against Dark Heart of the Night<\/em> (Cameroon). Promises to be a very tight match . . . <\/p>\n","protected":false},"excerpt":{"rendered":" From here on out, multiple judges will be voting on each of the matches and the “score” will be an accumulation of these votes. Just to recap, Tatiana Lobo’s Assault on Paradise (Costa Rica) made it to this point by beating Brazil’s Crow Blue and Spain’s The Happy City. Laura Restrepo’s Delirium (Colombia) got here […]<\/p>\n","protected":false},"author":292,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[67486],"tags":[41396,61616,61286,61296,9036,61606,61246],"class_list":["post-301806","post","type-post","status-publish","format-standard","hentry","category-articles","tag-asa-zatz","tag-assault-on-paradise","tag-delirium","tag-laura-restrepo","tag-natasha-wimmer","tag-tatiana-lobo","tag-wwcol"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/301806","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/users\/292"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/comments?post=301806"}],"version-history":[{"count":1,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/301806\/revisions"}],"predecessor-version":[{"id":336056,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/301806\/revisions\/336056"}],"wp:attachment":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/media?parent=301806"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/categories?post=301806"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/tags?post=301806"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}