{"id":273186,"date":"2009-08-14T18:30:00","date_gmt":"2009-08-14T18:30:00","guid":{"rendered":"http:\/\/www.wdev.rochester.edu\/College\/translation\/threepercent-dev\/2009\/08\/14\/mario-bellatin-in-the-new-york-times\/"},"modified":"2018-04-16T17:15:30","modified_gmt":"2018-04-16T17:15:30","slug":"mario-bellatin-in-the-new-york-times","status":"publish","type":"post","link":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/2009\/08\/14\/mario-bellatin-in-the-new-york-times\/","title":{"rendered":"Mario Bellatin in the New York Times"},"content":{"rendered":"

This is a few days old now, but it was great to see Larry Rohter of the New York Times<\/em> do a special feature<\/a> on Mexican novelist Mario Bellatin. Bellatin—and his books—are really interesting. Even the opening story in the piece is awesome:<\/p>\n

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A few years ago the Mexican novelist Mario Bellatin attended one of those literary conferences here where writers are asked to talk about their own favorites. Unwilling to make a choice, he invented a Japanese author named Shiki Nagaoka and spoke with apparent conviction about how deeply Nagaoka had influenced him, fully expecting the prank to be unmasked during the question-and-answer period.<\/p>\n<\/blockquote>\n

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Instead the audience peppered him for more information about Nagaoka, who was said to have a nose so immense that it impeded his ability to eat. So Mr. Bellatin (pronounced Bay-yah-TEEN<\/span>) decided to extend the joke and promptly wrote a fake biography \u2014 complete with excerpts, photographs and bibliography \u2014 called \u201cShiki Nagaoka: A Nose for Fiction.\u201d<\/p>\n<\/blockquote>\n

And if this sort of intellectual game-playing wasn’t already intriguing enough, he also fools around with his body:<\/p>\n

\n

Mr. Bellatin himself is missing much of his right arm, the result of a birth defect that he says he \u201cplays with, takes advantage of and acknowledges\u201d in his work by \u201cwriting with my whole body.\u201d He jokes about \u201cmy left hand knoweth not what my right hand doeth,\u201d and depending on his mood, he sometimes appears in public wearing a prosthesis with an attachment, chosen from his collection of more than a dozen, that gives him the appearance of Captain Hook.<\/p>\n<\/blockquote>\n

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\u201cPeople often say, with a lot of truth to it, that all good fiction writing comes from some wound, out of some distance that needs to be breached between a writer and normalcy,\u201d said the novelist and critic Francisco Goldman, a friend of Mr. Bellatin. \u201cIn Mario\u2019s sense, the wound is literal and comes with all kinds of psychological nuance and pain, and seems related to sexuality and desire, the desire for a whole body. One of my favorite aspects of him is this sense that he is writing for all the freaks \u2014 either literally freaks or privately and metaphorically, that he really touches us.\u201d<\/p>\n<\/blockquote>\n

Beauty Salon<\/em><\/a> came out from City Lights this week (see “our review”: by Larissa Kyzer) and has been nominated for this year’s Best Translated Book Award. Definitely worth checking out, and hopefully City Lights will be bringing out more of Bellatin’s works in the near future.<\/p>\n","protected":false},"excerpt":{"rendered":"

This is a few days old now, but it was great to see Larry Rohter of the New York Times do a special feature on Mexican novelist Mario Bellatin. Bellatin—and his books—are really interesting. Even the opening story in the piece is awesome: A few years ago the Mexican novelist Mario Bellatin attended one of […]<\/p>\n","protected":false},"author":292,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[67486],"tags":[26926,26936,26906,226,1646],"class_list":["post-273186","post","type-post","status-publish","format-standard","hentry","category-articles","tag-city-lights","tag-larry-rohter","tag-mario-bellatin","tag-new-york-times","tag-review"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/273186","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/users\/292"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/comments?post=273186"}],"version-history":[{"count":1,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/273186\/revisions"}],"predecessor-version":[{"id":323386,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/273186\/revisions\/323386"}],"wp:attachment":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/media?parent=273186"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/categories?post=273186"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/tags?post=273186"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}