book of anna – Three Percent /College/translation/threepercent a resource for international literature at the URochester Mon, 28 Aug 2023 20:42:17 +0000 en-US hourly 1 https://wordpress.org/?v=6.9.4 Revisiting the “Summer of Spanish-Language Women Writers” /College/translation/threepercent/2023/08/28/revisiting-the-summer-of-spanish-language-women-writers/ /College/translation/threepercent/2023/08/28/revisiting-the-summer-of-spanish-language-women-writers/#respond Mon, 28 Aug 2023 20:42:17 +0000 http://www.rochester.edu/College/translation/threepercent/?p=443182 As part of Women in Translation Month—and to shine a spotlight on some of our best Two Month Review seasons—I thought I would repost information about a few relevant TMR seasons that might be of interest.

Today, we’re going to revisit a wild TMR season in which we featured three books originally written in Spanish, all published right around the start of the pandemic . . . Below, you’ll find info and links to all the episodes on Cars on Fire by Mónica Ramón Ríos & Robin Myers, Four by Four by Sara Mesa & Katie Whittemore, and The Book of Anna by Carmen Boullosa & Samantha Schnee.

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We started this season off with . Here’s the jacket copy:

“When you live in an adopted country, when you’re an exile in your own body, names are simply lists that dull the reality of death.”

Cars on Fire, Mónica Ramón Ríos’s electric, uncompromising English-language debut, unfolds through a series of characters—the writer, the patient, the immigrant, the professor, the student—whose identities are messy and ever-shifting. A speechwriter is employed writing for would-be dictators, but plays in a rock band as a means of protest. A failed Marxist cuts off her own head as a final poetic act. With incredible formal range, from the linear to the more free-wheeling, the real to the fantastical to the dystopic, Ríos offers striking, jarring glimpses into life as a woman and an immigrant. Set in New York City, New Jersey, and Chile’s La Zona Central, the stories in Cars on Fire offer powerful remembrances to those lost to violence, and ultimately make the case for the power of art, love, and feminine desire to subvert the oppressive forces—xenophobia, neoliberalism, social hierarchies within the academic world—that shape life in Chile and the United States.

And here are links to each Cars on Fire episode:

Episode 1: Pages 1-63 (, , )

Episode 2: Pages 64-151 (, , )

Episode 3: Pages 152-End (, , )

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Then we moved on to . Here’s the jacket copy:

Set entirely at Wybrany College—a school where the wealthy keep their kids safe from the chaos erupting in the cities—Four by Four is a novel of insinuation and gossip, in which the truth about Wybrany’s “program” is always palpable, but never explicit. The mysteries populating the novel open with the disappearance of one of the “special,” scholarship students. As the first part unfolds, it becomes clear that all is not well in Wybrany, and that something more sordid lurks beneath the surface.

In the second part—a self-indulgent, wry diary written by an imposter who has infiltrated the school as a substitute teacher—the eerie sense of what’s happening in this space removed from society, becomes more acute and potentially sinister.

An exploration of the relationship between the powerful and powerless—and the repetition of these patterns—Mesa’s “sophisticated nightmare” calls to mind great works of gothic literature (think Shirley Jackson) and social thrillers to create a unique, unsettling view of freedom and how a fear of the outside world can create monsters.

And here are links to each Four by Four episode:

Episode 4: Pages 1-86 (, , )

Episode 5: Pages 87-156 (, , )

Episode 6: Pages 156-222 (, , )

Episode 7: Pages 223-End (, , )

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And we wrapped things up with . Here’s the jacket copy:

IN THIS CONTINUATION OF ANNA KARENINA’S LEGACY, RUSSIA SIMMERS ON THE BRINK OF CHANGE AND THE STORIES THAT HAVE LONG BEEN KEPT SECRET FINALLY COME TO LIGHT.

Saint Petersburg, 1905. Behind the gates of the Karenin Palace, Sergei, son of Anna Karenina, meets Tolstoy in his dreams and finds reminders of his mother everywhere: the vivid portrait that the tsar intends to acquire and the opium-infused manuscripts Anna wrote just before her death, which open a trapdoor to a wild feminist fairy tale. Across the city, Clementine, an anarchist seamstress, and Father Gapon, the charismatic leader of the proletariat, plan protests that embroil the downstairs members of the Karenin household in their plots and tip the country ever closer to revolution. Boullosa tells a polyphonic and subversive tale of the Russian revolution through the lens of Tolstoy’s most beloved work.

Episode 8: Pages 1-73 (, , )

Episode 9: Pages 74-98 (, , )

Episode 10: Pages 99-126 (, , )

Episode 11: Pages 127-161 (, , )

Episode 12: Pages 162-End (, , )

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Enjoy!

And while you’re here, you should get a copy of  and be ready for Season Twenty of TMR starting on September 6th!

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TMR 12.11 “The Book of Anna” [THE BOOK OF ANNA] /College/translation/threepercent/2020/08/13/tmr-12-10-the-book-of-anna-the-book-of-anna/ /College/translation/threepercent/2020/08/13/tmr-12-10-the-book-of-anna-the-book-of-anna/#respond Thu, 13 Aug 2020 15:06:42 +0000 http://www.rochester.edu/College/translation/threepercent/?p=433932 Translator and co-founder Samantha Schnee joined Chad and Brian this week to talk about Anna’s “opium-fueled” fairy tale that was referenced in passing in Anna Karenina, and a centerpiece of Boullosa’s “sequel.” A lively conversation about language, various Tolstoy translations, the book’s origin, ways to interpret the fairy tale, and much more.

This week’s musical Anna reference comes from Neutral Milk Hotel’s “.”

And again, if you want to help pick from the four finalists for season 13 (Zone, Vernon Subutex, Ada, or Ardor, Baron Wenckheim’s Homecoming), fill out . Thanks in advance!

If you’d prefer to watch the conversation, you can find it on along with . Next week we’ll discuss part four, “Finale” (pgs 162-End) with Carmen Boullosa herself. You can watch it live next .

Follow and for random thoughts and information about upcoming guests.

Be sure to order Brian’s book, , which is now officially available at better bookstores everywhere thanks to BOA Editions.

You can also support this podcast and of Open Letter’s activities by making a tax-deductible donation through the .

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TMR 12.9 “Bloody Sunday” [THE BOOK OF ANNA] /College/translation/threepercent/2020/07/30/tmr-12-9-bloody-sunday-the-book-of-anna/ /College/translation/threepercent/2020/07/30/tmr-12-9-bloody-sunday-the-book-of-anna/#respond Thu, 30 Jul 2020 14:25:18 +0000 http://www.rochester.edu/College/translation/threepercent/?p=433302 This week’s episode is one of the more political ones to date, as Chad and Brian talk about Russia’s “Bloody Sunday,” comparing the Tsar’s actions to Trump and what’s going on in Portland. (They also sigh loudly over his most recent attempt to stoke racial and class anger.) They talk about the pacing and balance between these first two parts of the novel, the ways in which this section are almost anti-Tolstoy in nature, the relationship between power and history, and Chad’s obsession with Baudrillard and illusion. (See this post.)

This week’s Anna song is “” by Counting Crows.

If you’d prefer to watch the conversation, you can find it on along with . Next week we’ll discuss part three, “Karenina’s Portrait” (pgs 99-126). You can watch it live next .

Follow and for random thoughts and information about upcoming guests.

Be sure to order Brian’s book, , which is now officially available at better bookstores everywhere thanks to BOA Editions.

You can also support this podcast and of Open Letter’s activities by making a tax-deductible donation through the .

The associated with this post is copyrighted by .

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