arab booker – Three Percent /College/translation/threepercent a resource for international literature at the URochester Mon, 16 Apr 2018 16:41:03 +0000 en-US hourly 1 https://wordpress.org/?v=6.9.4 International Prize for Arabic Fiction 2011 /College/translation/threepercent/2011/03/14/international-prize-for-arabic-fiction-2011/ /College/translation/threepercent/2011/03/14/international-prize-for-arabic-fiction-2011/#respond Mon, 14 Mar 2011 20:12:22 +0000 http://www.wdev.rochester.edu/College/translation/threepercent-dev/2011/03/14/international-prize-for-arabic-fiction-2011/ This morning it was that The Arch and the Butterfly by Mohammed Achaari and The Doves’ Necklace by Raja Alem jointly won the 2011 International Prize for Arabic Fiction. (AKA the Arab Booker.)

Iraqi poet and novelist Fadhil Al-Azzawi was the chair of this year’s judging committee, and here’s what he had to say:

“The Judging Panel decided to give the Prize equally to two novels, which are The Arch and the Butterfly by Mohammed Achaari and The Doves’ Necklace by Raja Alem. They are two wonderful novels with great literary quality and they both deal with important and realistic problems in the Middle East, problems which have been reflected on banners during the recent protests that have shaken the Arab world, demanding change.

“The first novel, The Arch and the Butterfly, deals with Islamic extremism and terrorism and its destructive effect upon Arabic society itself, rather than on the West. The second, The Dove’s Necklace, reveals the true face of Mecca: behind the city’s holy veil there is another Mecca, where many crimes are committed and there is also corruption, prostitution and mafias of building contractors who are destroying the historic areas of the city, and therefore its soul, for commercial gain.”

Don’t get me wrong, it’s great that a woman has finally won the prize. But the idea of sharing it (and being listed second everywhere in this press release) kind of taints the whole thing for me. Sure, both novels will be translated and published in English (win), but they have to split the $50,000 cash award. Something about this just doesn’t sit right . . . It’s like VCU and UAB making the NCAA Tournament. Fine, it’s fine. But all the explanations (“both novels are great!,” “all teams are deserving!”) feel half-hearted and cheap.

(Oh, and is it “The Doves’ Necklace“ or “The Dove’s Necklace“? Confused.)

But whatever. I just wish Raja Alem had won straight out. Not only does it diminish her accomplishment of being the first female to receive the reward, but it’s kind of stupid to have a prize and split it between two books. Make up your minds! Choose a winner!

That’s all. Congrats to both authors.

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2011 Arab Booker Shortlist /College/translation/threepercent/2010/12/09/2011-arab-booker-shortlist/ /College/translation/threepercent/2010/12/09/2011-arab-booker-shortlist/#respond Thu, 09 Dec 2010 15:48:33 +0000 http://www.wdev.rochester.edu/College/translation/threepercent-dev/2010/12/09/2011-arab-booker-shortlist/ The six-title shortlist for the International Prize for Arabic Fiction/Arab Booker along with the names of the five judges. (Yes, this is kept secret until this announcement is made.)

In case you’re interested, the panelists are: Fadhil al-Azzawi (Chair), Iraqi poet and novelist living in Germany; Munira al-Fadhel, Bahrain academic, researcher and critic; Isabella Camera d’Affilitto, Italian academic, translator and critic; Amjad Nasser, Jordanian writer and journalist; and Said Yaktine, Moroccan writer and critic.

But on to the fun part . . . Here are the six titles—four of which, I picked out to highlight in my initial post about the longlist. My track record of picking winning books is total trash, so four out of six seems pretty damn good. Anyway:

  • Mohammed Achaari, The Arch and the Butterfly (Morroccan)

Tackling the themes of Islamic extremism and terrorism from a new angle, The Arch and the Butterfly explores the effect of terrorism on family life. It tells the story of a left-wing father who one day receives a letter from Al-Qaeda informing him that his son, who he believes is studying in Paris, has died a martyr in Afghanistan. The novel looks at the impact of this shocking news on the life of its hero and consequently on his relationship with his wife.

  • Raja Alem, The Doves’ Necklace (Saudi Arabian)

The sordid underbelly of the holy city of Mecca is revealed in this astonishing story. The world painted by heroine Aisha embraces everything from prostitution and religious extremism to the exploitation of foreign workers under a mafia of building contractors, who are destroying the historic areas of the city. This bleak scene is contrasted with the beauty of Aisha’s love letters to her German boyfriend.

  • Khalid Al-Bari, An Oriental Dance (Egyptian)

An Oriental Dance tells the story of a young Egyptian who, on marrying an older British woman, moves to England. Through his eyes, the reader is given a vivid account of the struggles and relationships of the Arab expatriate community living in the UK.

  • Bensalem Himmich, My Tormentor (Moroccan)

In a gripping novel, whose narrative style is a blend of Kafka and One Thousand and One Nights, Himmich imagines an innocent man’s experience of extraordinary rendition in an American prison. During his captivity, the protagonist is subjected to interrogation and torture by both Arabs and foreigners and yet, against all odds, the author manages to find some hope in an otherwise desperate situation.

  • Amir Taj Al-Sir, The Hunter of the Chrysalises (or The Head Hunter) (Sudanese)

The Hunter of the Chrysalises is the story of a former secret service agent who, having been forced to retire due to an accident, decide to write a novel about his experiences. He starts to visit a café frequented by intellectuals, only to find himself the subject of police scrutiny.

  • Miral Al-Tahawy, Brooklyn Heights (Egyptian)

Brooklyn Heights tells the story of the New York’s Arab immigrants and those who live among them through the eyes of the female narrator. By contrasting her experiences in her chosen home, America, and her homeland Egypt, she reveals the problematic relationship between East and West. It is a story of fundamentalism and tolerance, loss and hope in love. Simple yet full of rich detail, the novel evokes the atmosphere of America over the last decade.

In case it’s not obvious, all descriptions are from the official

Based only on these descriptions above, I’m rooting for My Tormentor . . .

The winner will be announced right before the opening of the Abu Dhabi International Book Fair.

And speaking of Abu Dhabi, how awesome is it that ADIBF 2011 is gonna rock!

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International Prize for Arabic Fiction 2011 Longlist [International Prizes, Take Three] /College/translation/threepercent/2010/11/15/international-prize-for-arabic-fiction-2011-longlist-international-prizes-take-three/ /College/translation/threepercent/2010/11/15/international-prize-for-arabic-fiction-2011-longlist-international-prizes-take-three/#respond Mon, 15 Nov 2010 21:00:00 +0000 http://www.wdev.rochester.edu/College/translation/threepercent-dev/2010/11/15/international-prize-for-arabic-fiction-2011-longlist-international-prizes-take-three/ Out of 123 total entries, the judges for the International Prize for Arabic Fiction (aka the Arab Booker), selected 16 books for the longlist. It’s interesting to note that, according to the press release, of the 16, seven of the books are written by women (yay!), and that “religious extremism, political and social conflict, and women’s struggles emerge as key themes” (isn’t this the same as saying that all the books were about life?).

The shortlist of six titles will be announced on December 9th in Doha, Qatar (which is when the list of panelists will also be revealed), and the winner will be announced on March 14th, during the Abu Dhabi International Book Fair. Shortlisted authors receive $10,000, with the winner receiving an additional $50,000. (Not bad, not bad.)

Anyway, here are the 16 titles, with descriptions (from the press materials) of a few that sound interesting:

  • Mohammed Achaari, The Arch and the Butterfly (Morroccan)

Tackling the themes of Islamic extremism and terrorism from a new angle, The Arch and the Butterfly explores the effect of terrorism on family life. It tells the story of a left-wing father who one day receives a letter from Al-Qaeda informing him that his son, who he believes is studying in Paris, has died a martyr in Afghanistan. The novel looks at the impact of this shocking news on the life of its hero and consequently on his relationship with his wife.

  • Raja Alem, The Doves’ Necklace (Saudi Arabian)
  • Maqbui Moussa Al-Alawi, Turmoil in Jeddah (Saudi Arabian)
  • Khalid Al-Bari, An Oriental Dance (Egyptian)
  • Fawaz Haddad, God’s Soldiers (Syrian)
  • Maha Hassan, Secret Rope (Syrian)

Secret Rope contrasts life in Syria and France through the story of a mother and daughter. After her marriage in Syria, the daughter finds she must return to France to pursue a life of freedom that she cannot achieve in her homeland.

  • Renee Hayek, A Short Life (Lebanese)
  • Bensalem Himmich, My Tormentor (Moroccan)

In a gripping novel, whose narrative style is a blend of Kafka and One Thousand and One Nights, Himmich imagines an innocent man’s experience of extraordinary rendition in an American prison. During his captivity, the protagonist is subjected to interrogation and torture by both Arabs and foreigners and yet, against all odds, the author manages to find some hope in an otherwise desperate situation.

  • Waciny Laredj, The Andalucian House (Algeria)

The Andalucian House relays the history of a house in Granada through the stories of the people who live there over the centuries. Amongst its many residents are two famous, real-life characters: the first, Dali Mami, a sixteenth-century pirate who fought for the Turks and was responsible, amongst other things, for Miguel de Cervantes’s period of captivity in Algeria and the second Emperor Napoleon III, whose wife Eugenie was born in Granada.

  • Razan Naim Al-Maghrabi, Women of Wind (Libyan)
  • Ali Al-Muqri, The Handsome Jew (Yemeni)
  • Fatin Al-Murr, Common Sins (Lebanon)
  • Khairy Shalaby, Istasia (Egyptian)

Istasia is a Coptic widow living in the Egyptian Delta, who becomes a local legend when she dedicates her life to revenging the death her son through prayer. Assistance comes in the unlikely form of the son of the village’s leading Muslim family, notorious for their ruthlessness and cruelty, a lawyer who decides to investigate the case and bring Istasia’s son’s unknown murderers to justice. The moral of the story is that not every Muslim is good or Christian evil and that, no matter the religion, God will answer the prayers of anyone who has been wronged. [Ed. Note: “God will answer the prayers of anyone who has been wronged”??? Huh.]

  • Amir Taj Al-Sir, The Hunter of the Chrysalises (or The Head Hunter) (Sudanese)

The Hunter of the Chrysalises is the story of a former secret service agent who, having been forced to retire due to an accident, decide to write a novel about his experiences. He starts to visit a café frequented by intellectuals, only to find himself the subject of police scrutiny.

  • Miral Al-Tahawy, Brooklyn Heights (Egyptian)

Brooklyn Heights tells the story of the New York’s Arab immigrants and those who live among them through the eyes of the female narrator. By contrasting her experiences in her chosen home, America, and her homeland Egypt, she reveals the problematic relationship between East and West. It is a story of fundamentalism and tolerance, loss and hope in love. Simple yet full of rich detail, the novel evokes the atmosphere of America over the last decade.

  • Ibtisam Ibrahim Teresa, The Eye of the Sun (Syria)

In The Eye of the Sun, protagonist Nasma returns to Syria after years in exile in Sweden and is forced to confront painful memories. Her story reveals a past filled with conflict: from domestic turmoil under a cruel and manipulative father, to political upheaval affecting both her family and the entire population of Aleppo. As well as relating the events that shaped her life up until the present, the novel explores the relationships she has with the men in her life, from her father and brother to her lovers, the man who tortures her and the man to whom she is now married.

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Preview of the 2010 International Prize for Arabic Fiction /College/translation/threepercent/2010/03/02/preview-of-the-2010-international-prize-for-arabic-fiction/ /College/translation/threepercent/2010/03/02/preview-of-the-2010-international-prize-for-arabic-fiction/#respond Tue, 02 Mar 2010 11:58:08 +0000 http://www.wdev.rochester.edu/College/translation/threepercent-dev/2010/03/02/preview-of-the-2010-international-prize-for-arabic-fiction/ I hate reposting Abu Dhabi blog entries while the fair is still going on (or, to be more accurate, just starting), since everyone should be visiting the official for info about all the goings on. That said, since I will be attending the award ceremony for this year’s Arab Booker later tonight, and since with a little luck (re: not drinking till 4am) I’ll be able to write a post later with info about the winner, I thought it would be useful to make this available here as well.

Later tonight the winner of this year’s International Prize for Arabic Fiction (aka the Arab Booker) will be announced. The IPAF was launched in April 2007 and is probably the most prestigious and important literary prize in the Arab World. It “aims to reward excellence in contemporary Arabic creative writing and to encourage the readership of high quality Arabic literature internationally through the translation and publication of winning and shortlisted novels in other major languages.”

To help promote awareness of the award and the finalists, the IPAF puts out the annual “Best of New Arabic Fiction” anthology with excerpts from each of the six shortlisted titles. So, in advance of tonight’s announcement, I thought it would be interesting to post short bits from the book about the titles in contention:

“Spewing Sparks as Big as Castles” by Abdo Khal (Saudi Arabia, Al-Jamal Publications). Totally dig this title. Sounds like something I’d write late at night . . . too late at night. Here’s the description: “A painfully satirical novel, “Spewing Sparks as Big as Castles” depicts the destructive impact that power and limitless wealth have on life and the environment. It captures the seductive powers of the palace and tells the agonizing story of those who have become enslaved by it, drawn by its promise of glamour.”

“When the Wolves Grow Old” by Jamal Naji (Jordan, Ministry of Culture Publications, Amman). Another nice title. And a solid opening: “Azmi al-Wajih has humiliated me three times. The first was in the house of his father, who had fallen in love with me and married me. The second was on the day he caught me in the inner room of the house of Sheikh Abd al-Hamid al-Jinzir. And the third was thirteen years later, when I was thirty-eight years old.”

“Beyond Paradise” by Mansoura Ez Eldin (Egypt, El-Ain Publishing). If I remember right, both of the first two Arab Bookers went to Egyptian writers, so perhaps Mansoura can be considered one of the favorites . . . She’s quite young—younger than I am, actually—and in addition to this book, she is the author of a collection of short stories (“Shaken Light”) and the novel “Maryam’s Maze,” which is forthcoming in English from American University in Cairo Press. She was also selected for the Beirut39, as one of the 39 best Arab authors below the age of 40. “Beyond Paradise” is about an editor of a literary magazine who “is trying to dispose of her negative self-image by liberating herself from a past loaded with painful memories.”

“A Cloudy Day on the West Side” by Mohamed Mansi Qandil (Egypt, Dar El Shorouk). According to the description, this novel “evokes the period of great archeological discovery and nationalist struggle in Egypt.” It’s about a translator, a young woman who is abandoned after her mother is forced to flee her abusive husband. As she grows up, her life intersects with a number of historical figures, including Howard Carter, Lord Cromer, and Abdulrahman al-Rifa’i. “This thrilling tale is brought to life by the author’s detailed and vivid descriptions of real historical events and places.”

“The Lady from Tel Aviv” by Rabai Al-Madhoun (Palestine, Arab Institute for Research and Publishing). Focused on the Palestinian-Israeli issue, this novel also has a pretty good opening: “The question surprises me. From the moment I sat down in my seat until the moment she asks the question, it bothers me. From scenes of war, the question pulls me right up to the edge an answer. At first I am nervous, too unsettled to choose an answer. I might have picked any other nationality—anything but Palestinian—in my fear that someone might overhear us and shout out to all the other passengers: ‘Palestinian! This man’s a Palestinian!’ It’s possible. What if one of them got up and made the announcement? ‘Ladies and gentlemen: there’s a Palestinian on board this airplane!’”

“America” by Rabee Jaber (Lebanon, Al-Markaz al-Thaqafi al-Arabi). This is the book that I think is going to win. The whole East-West theme. America. And a compelling story: “‘America’ evokes the story of the Syrians who left their homeland in the early twentieth century to try their luck in the young America. Spurred on by a sense of adventure and the desire to escape poverty, they made the epic journey. Leaving their homeland with only a few belongings, their journel takes in everything from their travels across mountains and plains, to their gradual integration into American society, later becoming citizens of America and fighting its wars. In particular, the novel focuses on the character of Martha, who travels alone to New York in search of her husband, with whom she has lost contact. America is a tribute to those who left Syria in search of a new life from those who remained behind.”

I’ll post about the winner as soon as possible . . .

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