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The latest addition to our Reviews section is a piece by Lori Feathers on Peter Stamm’s All Days are Night, published last year by Other Press.

Here’s the beginning of Lori’s review:

As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of destruction. Gillian’s and Hubert’s struggles to understand the emotional basis of these incongruities provide dramatic tension in this taut and provocative novel.

Although Gillian survives an auto accident that kills her husband, the crash damages and permanently alters her face. As she convalesces, she recalls the weeks leading up to the accident, in particular her televised interview with Hubert, a local artist, and her post-interview request that he paint her portrait. Gillian shares with Hubert the hope that his painting of her will reveal truths to which she has been blind. All that she understands about herself is derivative of others’ impressions and reactions, and she longs for Hubert to interpret and reveal to her, her true self. Instead, Hubert soon becomes frustrated with his subject. “I don’t see anything in you. I’ll be pleased if I manage the exterior half decently,” he tetchily tells Gillian during a sitting. He accuses her of intentionally concealing her inner self, of “acting,” and of an unwillingness to reveal any vulnerability, an accusation that is not new to her.

For the rest of the review, go here.